Symphony No. 20 (2026)
Rambunctious at the start, Symphony No. 20’s opening movement is a mix a tonal techniques and dissonance supplied by utilization of atonal techniques.
Symphony No. 19 (2025)
The symphony begins with a gentle pastoral followed by a spritely duet between the woodwinds and the woodblock.
Symphony No. 18 (2025)
Symphony No. 18 was inspired by and uses techniques derived from ideas from Godel, Esher, Bach: An Eternal Golden Braid.
The Epic of Gilgamesh (2025)
Gilgamesh is one of the oldest characters in Western Literature being featured in a series of stories from ancient Sumer.
Concerto for Oboe (2025)
This concerto in three movements features the oboe, and follows the tradition of the original classical concerto in that it is derived from dance music.
Magnificat (2025)
A single movement, sacred work for Chorus and Wind Band, uses Mary’s hymn glorifying God as a text and creative launch point.
Chamber Symphony (2025)
The chamber symphony is a short, three-movement symphony, after the early Classical Period design and it is for a smaller number of players than a typical, large, wind band.
Symphony No. 17 (2025)
Symphony No. 17 features metric modulations, dueling counterpoint, and a driving rhythmic language.