Symphony No. 18 (2025)
Symphony No. 18 was inspired by and uses techniques derived from ideas from Godel, Esher, Bach: An Eternal Golden Braid.
Symphony No. 18 was inspired by and uses techniques derived from ideas from Godel, Esher, Bach: An Eternal Golden Braid.
Gilgamesh is one of the oldest characters in Western Literature being featured in a series of stories from ancient Sumer.
This concerto in three movements features the oboe, and follows the tradition of the original classical concerto in that it is derived from dance music.
A single movement, sacred work for Chorus and Wind Band, uses Mary’s hymn glorifying God as a text and creative launch point.
The chamber symphony is a short, three-movement symphony, after the early Classical Period design and it is for a smaller number of players than a typical, large, wind band.
Symphony No. 17 features metric modulations, dueling counterpoint, and a driving rhythmic language.
Beginning with a pastoral introduction, and continuing with vibrant and lively contrapuntal lines, Symphony No. 16 is a rollicking example of the symphonic genre.
This symphony is characterized by driving rhythms, exotic modes and bold brass lines.