Stabat Mater (2023)
Stabat Mater, which translates as Standing Mother, is the 13-century Latin hymn describing Mary’s anguish as she stands by the foot of the Cross.
Symphony No. 8 (2024)
After a strident horn call, the symphony moves into the familiar realm of a Classical symphony.
Symphony No. 7 (2024)
This work is in four movements and follows the typical design of fast-slow-very fast-fast of the classical symphony.
Symphony No. 6 (2023)
The opening of this symphony is evocative of dance music from the American West particularly as it is heard in the ballets of Aaron Copland.
Concerto for Trombone (2024)
This work is meant to be a conversation between the virtuosic trombone part and the ensemble.
Concerto for Piano No. 1 (2023)
This work uses traditional counterpoint and some ideas from popular music to create a duet between piano and ensemble.
Imperia Corrupta Cadunt (2026)
This work, which translates as “Corrupt Empires Fall”, is written as a protest. Specifically, a protest to add my voice to the increasing number of Americans in shock at the actions our current government has taken in the American city of Minneapolis.
Symphony No. 4 (2023)
This work has style elements of Late Romantic, Expressionistic, and Minimalist types of work.
Symphony No. 3 (2023)
This, my third symphony, has no particular program or story; at least one that can be described in words.